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Title: AN ANALYSIS OF THE WANDERING EARTH II BASED ON PIERCE SEMIOTICS
Authors: Zezong Tang and Yi Zhang
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Zezong Tang1 and Yi Zhang2 1,2. School of Foreign Studies, Northwestern Polytechnical University, China
MLA 8 Tang, Zezong, and Yi Zhang. "AN ANALYSIS OF THE WANDERING EARTH II BASED ON PIERCE SEMIOTICS." Int. j. of Social Science and Economic Research, vol. 8, no. 5, May 2023, pp. 984-992, doi:10.46609/IJSSER.2023.v08i05.004. Accessed May 2023. APA 6 Tang, Z., & Zhang, Y. (2023, May). AN ANALYSIS OF THE WANDERING EARTH II BASED ON PIERCE SEMIOTICS. Int. j. of Social Science and Economic Research, 8(5), 984-992. doi:10.46609/IJSSER.2023.v08i05.004 Chicago Tang, Zezong, and Yi Zhang. "AN ANALYSIS OF THE WANDERING EARTH II BASED ON PIERCE SEMIOTICS." Int. j. of Social Science and Economic Research 8, no. 5 (May 2023), 984-992. Accessed May, 2023. doi:10.46609/IJSSER.2023.v08i05.004.
References [1]. Ji Xiang Peng. Film and Television Aesthetics. BEIJING BOOK CO. INC., 2009. pp. 163-164. [2]. Saussure, Ferdinand Mongin. Course in general linguistics. Columbia University Press, 2011. pp. 102. [3]. Peirce, Charles Sanders, Peirce on signs: Writings on semiotic, UNC Press Books, 1991. [4]. ZhiLiang Wang, Pierce semiotics and Visual Art, Journal of Nanjing Arts Institute (Fine Arts & Design) 2011, No.135.03, pp. 108-114. [5]. Quan Wan, From Peircean Semiotics to Pragmatic Holism, Contemporary Rhetoric, 2020, No. 03, pp. 11-24. [6]. Shuguang Li, How Is Peirce Related to Cognitive Linguistics? Russian Literature & Arts ,2014, No. 02, pp. 91-98. [7]. XiaoLi Zhang, Viewing Film symbols from the Perspective of Pierce's semiotics, Journal of Inner Mongolia Agricultural University (Social Science Edition), 2009, No. 11, pp. 429-430. [8]. Xia Hu, The Image of "Aphasia" in the narrative structure of Film-- taking Yang Dechang's film "one by one" as an example, Grand Stage, 2015, No. 10, pp. 112-113. [9]. Yongxiang Wang, A Study of Pierce's semiotics -- In Commemoration of the 100th Anniversary of Pierce's Death (Editor's Note), Russian Literature & Arts, 2014, No. 02, pp. 84. [10]. Chengjian Sun, The Wandering Earth II: The Expression Strategy of Super-Empirical Vision and Its Serial Exploration, Film Art, 2023, pp. 1-3.
ABSTRACT: As a highly-anticipated domestic science fiction series, “The Wandering Earth II” has captured widespread attention and ignited online discussion upon its release. The film weaves together multiple narrative threads, crafting a diverse array of characters and seamlessly blending surreal themes with realist storytelling. Consequently, its content and scope align closely with Peirce’s semiotic framework. As a founding figure in semiotics, Peirce incorporates various societal factors beyond symbols into his semiotic system, endowing it with extensive interdisciplinary applicability and research potential. Hence, this analysis of “The Wandering Earth II” employs Peirce’s semiotic framework to unravel the construction of the film’s symbolic system, with the aim of seeking novel textual expressions for film semiotics research while providing fresh semiotic perspectives on the interpretation of the movie.

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